Undergraduate Students Association Council President Jayha Buhs Jackson speaks into a microphone and stands on stage with the cast of Westwood Night Live. The second iteration of the student-led comedy show took place Friday. (Jiah Jung/Daily Bruin)
This post was updated Nov. 8 at 8:08 p.m.
A student-produced comedy show turned UCLA’s everyday absurdities into Friday evening entertainment.
Undergraduate Students Association Council President Jayha Buhs Jackson took the stage at Westwood Night Live’s second production.
Writer-directors Alex Huston Fischer and Eleanor Wilson reimagined romance for a world without any during a post-screening Q&A for their newest film, “Wicker,” on Sunday.
The Cinemas Los Angeles hosted the Q&A with the directorial couple to discuss “Wicker,” which released Oct.
This post was updated Oct. 29 at 9:18 p.m.
Horror buffs are in for a treat – or a trick! – this Halloween.
From indie films exploring toxic masculinity and queer interpretations of slashers to adaptations of beloved video games, 2026’s stacked horror lineup offers something for every fan.
A historic Westwood theater returned to the spotlight Friday.
For UCLA students, the Bruin Theater’s reopening offered more than a chance to watch a movie. It marked the return of a historic movie palace that first opened in 1937.
This post was updated Oct. 25 at 8:56 p.m.
Warning: Spoilers ahead.
For all its whimsical ambition, “Klara and the Sun” gets lost in its own theatricality, stumbling where emotional depth should shine.
This post was updated Oct. 21 at 5:29 p.m.
It is a truth universally acknowledged, that a viewer in want of an excellent film, must be in want of a Jane Austen adaptation.
This post was updated Oct. 20 at 8:21 p.m.
A goodbye only lasts a moment, but its weight can linger for a lifetime.
J. Robert Schulz’s debut feature film “Chrysalis” follows lingering threads of love, loss and memory.
This post was updated Oct. 20 at 9:12 p.m.
Warning: Spoilers ahead.
“Sense and Sensibility” proves that, centuries later, the complications of romance remain timeless.
Facing the pressure to live up to Ang Lee’s 1995 adaptation, director Georgia Oakley delivers a film that remains authentic to Jane Austen’s 1811 novel while mixing in her own creative flair.
This post was updated Oct. 20 at 8:59 p.m.
Warning: Spoilers ahead.
Despite its exhaustive methods, “You Can See Everything” leaves viewers questioning just how much of what they see is true.
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