This post was updated April 23 at 7:59 p.m.
Editor’s note: This review contains descriptions of criminal sexual activity involving animals that some readers may find disturbing.

This post was updated April 16 at 8:55 p.m.
The next generation in the “Dragon Cycle” is lighting up the stage.
Sara Porkalob’s solo show “Dragon Mama” – directed by Andrew Russell – is the second in a matrilineal trilogy based on the star’s family following “Dragon Lady” and preceding the in-development “Dragon Baby.” “Dragon Mama” made its Los Angeles premiere March 4 and will play at the Geffen Playhouse through April 26.

This post was updated April 16 at 8:35 p.m.
The Fowler’s newest exhibit is nothing short of monumental.
“Mountain Spirits: Rice and Indigeneity in the Northern Luzon Highlands, Philippines” opened at the Fowler Museum on Sunday.

This post was updated April 14 at 8:53 p.m.
Once again, College Night at the Getty Center brought art to students in an experiential way.
College Night was held Monday from 5:30 p.m.

This post was updated April 9 at 8:25 p.m.
Submerged in the ocean, an Indigenous woman lifts a luminous abalone shell to her face – hinting at a bond older than memory.

This post was updated April 9 at 8:03 p.m.
Reia Uchiumi has always made art for other people – even in the years she made it for no one at all.

This post was updated April 2 at 8:14 p.m.
With “Spamalot,” it’s unclear if the Holy Grail is half-full or half-empty.
To the sound of clanking coconuts, the Tony Award-winning musical comedy galloped into the Hollywood Pantages Theatre on March 24 for a tour stop lasting until April 12.