Tyler Neufeld’s play, “The Man Who Ate Time,” creates a whimsical space for transgender identity, community and self-realization.
Neufeld, a fourth-year theater student, has been working on “The Man Who Ate Time” since his sophomore year at UCLA.

For one Bruin, world-building through costume design is an essential form of storytelling.
Lyle Marley, a fourth-year theater student and costume designer, said developing costumes allows him to uncover the personality and identity of various characters while discerning how each subject perceives themselves within a story.

Editor’s note: This post was updated June 18 at 3:40 p.m. to remove a photo of a production that was not “Mockingbird.”
As she rounds the corner to graduation, Elaina Marino is invoking the candor of the stage to tackle technological surveillance.

Luis Ramirez paints with his culture in mind.
As a multimedia artist, the fourth-year art student said he primarily expresses himself through painting, while also practicing drawing and photography.

This post was updated June 4 at 2:20 p.m.
Editors note: this article contains descriptions of sexual assault and abuse that some readers may find disturbing.

“Xanadu” mixes theater and technology to paint a portrait of community.
UCLA’s Center for Research in Engineering, Media and Performance, also known as REMAP, bridges the gap between technology and performing arts on campus, namely through experimental theater productions.

This post was updated May 18 at 8:47 p.m.
A Hollywood story is being told in a new way with an opera’s West Coast premiere.
A production of composer Tod Machover’s piece “Schoenberg in Hollywood” will have a four-show run from Sunday to Thursday at the UCLA Nimoy Theater.